Tuesday, 16 December 2014


FORM CAFE
32 Albion St, Essendon

Visited: 3rd December 2014

Design: At last a white door. Like a piece of modern art, the entrance to Form creates a space of contemplation. White and minimal, revealing very little of the interior on entry, one can only hope for the same once inside. Upon entering I am relieved to find a sensitivity and calmness to the design. 
I thought the design of the little enclave near the door with stools to sit, was the ultimate for a door reviewer to ponder and admire a work of beauty. A small bench seat clad in natural timber to the left breaks the cube of white giving the space a warmth and a touch of personality. The white 8ft high door towers over you as you enter, which I found made the small front entrance feel larger as the eye is guided to the roof by the extended vertical. Ahhh! a handmade handle, so rare these days. The dark grey of the welded steel, (a simple right angle of two panels) is replicated in the planter box behind the door upon opening and also used on the internal stairs inside the cafe. The door had a quick close, a comforting squeak and an unusual thud on the close that made me think of a carpet store door in Morocco I visited once. Strange! 


Door resistance: 3.5
Closure mechanism: Hydraulic arm
Draft: Minimal
Squeak level: 2

Change return time: 25 sec



Wednesday, 10 December 2014


FISH CREEK HOTEL
1 Old Waratah Rd, Fish Creek

Visited: 21st November 2014

Design: Ahh Fish Creek, the surrounding countryside reminds of my time on the Knoydart Peninsula in Scotland when I was crab farming. 

The white wash of the newly renovated Fish Creek Hotel has really brought the old girl back to life. A beautiful Art Deco styled building built back in the late 1930's, still stands tall and proud and the centrepiece for the town as you drive in. The Hotel has a UK seaside charm about it even though the Fish Creek is still a good 15-20 minute drive to the closest beach. The door just glowed in the late afternoon sun and looked like a jewel against the blue sky. The sweeping curves of the corners, the guttering, all emphasised by the 3 horizontal lines that wrap the building, all guiding the eye to the entrance. Once again another black door, although in this instance the white walls provide a dramatic contrast allowing the door to become the focal point. The two rectangular steps appear to elevate the door and put it on a pedestal, presenting it in its full glory. The marine light to the left adds that touch of seaside appeal and the PUBLIC BAR sign is the icing on the cake. Clear, defined and with an arrow to die for. Harmony is created here with the streamlined curves against the sharp right angles. The entrance consisted of two black wooden doors with long rectangular top panels of glass. Behind these were two more doors to create a small wind block to cold winter winds. The entrance created a welcoming feeling where you know as soon as you walk through those doors, you are greeted by old friends, a friendly smile and endless hours of banter. There was a slight squeak on the open that really brought the charm of the building to the forefront. 

Doors create memories, doors create emotions and sometimes those moments are united when you have the right combination of architecture and the surrounding environment. In this case, thank you Fish Creek Hotel for taking me back to my days as a crab farmer, but also for creating new memories.             


Door resistance: 3
Closure mechanism: Hydraulic arm
Draft: Minimal
Squeak level: 2

Change return time: 47 sec



Monday, 8 December 2014


TRULLI WOOD FIRED PIZZERIA
93 Whitelaw St, Meeniyan

Visited: 20th November 2014

Design: Another black door, what is going on here? I was down the country this week for a mini break from the city and came across this great pizzeria. 

Simple black aluminium frame with a U-tube stainless steel handle. This had a comfortable thickness for the hand. No clutter in the window, just some unobtrusive stickers in the bottom left. The shop opening hours were hand written onto the window that provided a simple regional homely touch. I liked that the cross bar of the window was below the centre of the door. It seemed to ground the door visually. With large windows either side the full view of the interior from the street gives a lightness to the door that would otherwise be heavy, due to the black framing. The wooden decking worked well with the black and the light silver of the interior floor. An interesting feature was the placement of the black tiles to distinguish the opening curve of the door. The open was easy and there was gentle close. On warm summer nights the door can be left open for a gentle summer breeze. 

It's always good to have a backup door mat as well.

Door resistance: 2
Closure mechanism: Hydraulic arm
Draft: Minimal
Squeak level: 0

Change return time: 1.12 sec






Tuesday, 2 December 2014


MAJOR MAJOR
5 Smith St, Fitzroy

Visited: 17th November 2014

Design: 
PD: "Double Edge this is Pinnacle Driver do you read me?"
Silence
PD: "I repeat, Double Edge this is Pinnacle Driver do you copy?"
Crackle, silence
Crackle
DE: "Pinnacle Driver this is Double Edge, we read you go ahead. Over"
PD: "Double Edge, my search has confirmed the location of MAJOR MAJOR. Over"
DE: "All sins forgiven, proceed Pinnacle Driver and describe. Over"
PD: "I'm presented with strong, bold, vertical and horizontal matte black steel work, framing the front of the building. There is a defining presence in its visual weight that appears as though it could crush the subtle window frames below. It has the gracefulness of the Millau Bridge in Southern France. The frame work is accentuated by a skeletal number of protruding pieces of metal that come out at right angles to the wall. Over"
DE: "How does this affect you? Over"
PD: "It has a feeling of containment and everything is in its right place. Nothing can go outside of the boundaries. There is no room for error. Over"
DE: "Anything else? Over"
PD: "Yes. There are unusual box-like forms that extend out from the building acting like contemporary architectural signage. The boxes appear to reference Anthony Gromley's, RETREAT II or some bunker protection firing window. On closer inspection, I find they are extensions of the the smaller frames that frame the windows and door. They have a peculiar psychological effect, where I feel they could represent some unknown purpose of the future that we of the present day don't yet understand. Over"
DE: "Do you feel they are a threat? Over"
PD: "No, more beneficial to mankind. Over"
DE: "Explain the door, we need to know about the door. Over"
PD: "The door is a 3 panel beauty. It has a decent width that gives the light framing of the door a sense of contemporary grandeur. A vertical tubular handle fits to the hand perfectly. Not too thin. There is a soft close and nice resistance. Soft bristles on the edge seal the door from the elements outside. They have thought about aesthetics. One is the middle frame of the door lines up with the window frame and benches creating a continual line across the front of the building. By god I like their spirit! Over"
DE: "Anything else to add Pinnacle Driver? Over"
PD: "The colour choices are brilliant. Soft on industrial. Scandinavian undertones drip from ever pore. It takes me back to my student days in Ornskoldsvik. Over"
DE: "Well done Pinnacle Driver, information is being assessed. We will inform you of future action. Over"
PD: "If for some reason I don't make it back, I would like to share with the owners of this establishment the words of Churchill." 

"Then turn again to your task. Look forward, do not look backward. Gather afresh in heart and spirit all the energies of your being, bend anew together for a supreme effort."

"Pinnacle Driver, over and out."


Door resistance: 2.5
Closure mechanism: Hydraulic arm
Draft: Minimal
Squeak level: 0

Change return time: 26 sec



Monday, 1 December 2014


THE DOJO RAMEN BAR
333 High St, Northcote

Visited: 30th October 2014

Design: Approaching this door always feels like you are about to enter a Japanese cage fighting arena. I think it's the smattering of great graphics, the wrap around windows and the strong vertical and horizontal framing of the black window and door panels. It's a full show from the street as there is nothing to hide here. I loved the symmetry and the full length glass panel on the doors with no interruptions. The solid black, frames the interior beautifully. A simple steel L-shaped handle, nothing too overstated or showy. The slight off gold signage compliments the black nicely. A soft open without too much resistance and an easy close. The thing I like about a lot of these old shop fronts that are renovated and converted when new businesses move in, are the random features that are left behind. For instance, the vertical louvers, the black paneling above the door, a power cable or an air-conditioning hose. They all come together to form a cohesive collage of history. Kappei (Katsuhei) Toyoguchi would be proud.  

Door resistance: 3
Closure mechanism: Hydraulic arm
Draft: Minimal
Squeak level: 1

Change return time: 32 sec






Friday, 28 November 2014


RIPE CAFE
376 Mt Dandenong Tourist Rd, Sassafras

Visited: 18th October 2014

Design: Back in Victoria and I come across this charming old wooden door at a little cafe in the Dandenongs. Almost an olive green in colour, the two panels complimented the weatherboard paneling of the walls. Just looking at it, the feel of the entrance had a warm inviting country home feel to it. The day I arrived it was a crisp wintery morning and I knew just by the look of this entrance, once I entered through that door, I was entering into a world of comfort food and people who care about their produce. Sure enough on the push open, there was a beautiful squeak that felt like a cashmere blanket being placed around your shoulders as you sit in front of a fire. The squeak held you and guided you in to a room filled with jams and gourmet produce. The close was soft and left you wanting more. The doors were uncluttered with a simple, OPEN & PUSH sign above a fantastic brass Lockwood lock that matched the brass push panel below. The handle had some nice wear and behind the brass panel the rustic chipped paint from years of hand action, added to the visual historical layering. The text wasn't too offensive, considering the whole town is filled with Devonshire tea houses that push the OLDE WORLDE to the limits. Two aluminium kick panels at the base, didn't distract the eye, instead I found them to bring a lightness to the olive green. All in all, this was a pleasant experience.  

Door resistance: 2
Closure mechanism: Hydraulic arm
Draft: Minimal
Squeak level: 3

Change return time: 42 sec



I'M BACK!!

In case you were wondering, I didn't get abducted at Raj's. I wasn't forced to be a drug mule hiding Fijian trinkets in my lower intestine to serve an Indian supplier in Malaysia. 

No, life just became busy and I haven't had a chance to get on the old digital typewriter.

So, I have some more doors, check em out.